Monday 25 March 2013

The Production Company Logo



As a group we brainstormed names for our production company, we wanted something that sounded powerful and professional, so we eventually decided on 'Eden Pictures'. However, there were several other concepts before reaching this final name. For example Lizzie came up with 'MockingBird Productions' which then led to her coming up with 'HummingBird Productions' - which I really loved, it sounded quirky and original. The idea of the birds appealed because it offers a sense of beauty and tranquillity, there were more suggestions as we carried on brainstorming. Daniel came up with 'Royal Productions' this was an interesting idea, to suggest that our films were not only wealthy in their structure but also, an almost sacred company devoted to making beautiful films and not a high profit. I then, continued with the concepts of the regal nature and birds came up with 'Iridescent Pictures' the wings of a Hummingbird are iridescent and I thought that the name would suggest that our films would be implicit so the audience would take what they see and it could change from different people's perspectives (just like how the colours change on the iridescent wings of a hummingbird). 

Other names suggested by me: 'Crimson Studios' a garish and recognisable colour.  'Harmonious Films' it suggests the teamwork involved and presents a calming image. 'Indigenous Pictures' this name suggests the raw ideas, talent and creations put into the film project, I was influenced by 'Icon' due to the name implying that films they distribute are iconic.

Other names suggested by Lizzie: 'Sirius Films' (Sirius the constellation and also a pun), 'Ship.McGuy Productions' (combining our surnames and again, suggests the teamwork involved) and 'Sunbird Productions' (this shows the freedom and enlightenment of the films we produce).

Other names suggested by Daniel: 'Native Films' (this shows the organic and British quality of our work), 'Regal Productions' (this was carrying on from the idea of 'Royal' this shows how much wealth is in the thoughts for the films we produce).

Meanwhile, we were also thinking about what we wanted our logo to be. We knew we wanted our production name and logo to symbolise: Knowledge, Power and Beauty. All qualities we desired to incorporate into our film projects. So Lizzie continued with the bird theme, we carried on with the idea of the exotic Hummingbird, but Daniel wanted a more regal animal, so I suggested 'Lion, Eagle, Stag' and Daniel fell in love with the idea of the Stag, even more so when Lizzie suggested a white stag. However, I was still content with the Hummingbird, we had a heated debate and during which other animals were suggested such as: Raven and Peacock. We even brainstormed about mythical animals such as Mermaids, Centaurs, Pegasi, I was influenced by the Tristar logo. But we decided to stick with the real animals, then Daniel came up with a compromise. He suggested an elegant stag with a fluttering hummingbird resting on its antlers, we loved the idea and so gathered some concept images from the internet.

But, when drawing out the animals we found it very difficult, we realized we had over-stretched and had been too ambitious, we had been planning to make a stop-frame animation on Serif Draw Plus. In theory the logo had been perfect but in practice it was proving to be too much. So we went back to the drawing board, we decided to have the focus of the logo as the name, and then add a motif afterwards. We wanted the audience to see the studio name and the logo as synonymous, so it would be more recognisable. However, the idea of the stag and hummingbird had stimulated me to think of 'Eden Pictures' or 'Paradise Pictures' due to the stag and hummingbird living harmoniously. The rest of the group loved the name 'Eden Pictures' we knew that the Garden of Eden was a beautiful paradise and also represented power, but most importantly it contained the Tree of Life and the Tree of Knowledge. I had also made this link from one of my prior ideas for a studio name: 'Forbidden-Fruit Productions'.

 
So, as a group we went away to try and design a good font for the production company and also serve well as a logo. Here are some of the better concept logos we came up with:

We generally had a set idea for the font style, we used 'The Spiderwick Chronicles' font as a basis for what elements we wanted to use in our logo's lettering.

In the end we all liked the logo with the floral motif, especially the idea of a floral or plant elements to emphasise the paradise quality to the name. Although, Lizzie came up with the idea of having an apple, so we then researched what apple blossom looked like to use as the centre-piece. On this final concept design (below) I worked on the font and left space for Lizzie and Shippey to sketch and draw the motif.




We then used the photo of the final design and used it as a template. We used the drawing tool on Serif Draw plus (a programme we were all familiar with) to go over the lines to make a computer generated version of our logo. We then went through finer details such as colours. We unanimously chose gold as the colour of the font because of the power element we were keen to keep our symbolism. We then looked at photos of apple-blossom and decided to use a pasty pink for the flower and a seductive crimson colour for the apple. This is the logo after we had added the colour to the lettering and the blossom. The template is visible underneath. Below is a video of us making the logo together, in our media class, discussing the ideal places for shadows to give the logo a 3D effect.

Once logo had been completed, we then discussed what we wanted to be the moving element, we were all happy to have the vines moving outwards and the apple dropping off the end. We decided to add a glow to the apple to add to the power element of the logo. This was easier said than done. The vines were difficult to animate but we had added music that suited our logo, it was enchanting and sounded organic.


However, I was not satisfied with the movement of the vines, they seemed to move to robotically. So we decided to go back and redraft the vines, increasing the amount of frames so the vines moved more smoothly and fitted the music better.


This was a much smoother animation and we were really pleased with the professional end result. We had all worked through our disagreements and were able to find a compromise or a solution in a mature and professional way. The motif and lettering symbolise everything we wanted (beauty, power and knowledge of our films) and the music went well with it too. Overall, the logo was a brilliant success, we achieved what we wanted through the development of our ideas and working well together.


Friday 1 March 2013

Thriller Sub-Genres


The genre of Thriller can be specified even more by sub-genre. For example Conspiracy Thriller and Crime Thriller, these sub-genres give us an idea of what the Thriller is about and what to expect. Different sub-genres will attract a different demagraphic, this is due to the varying themes and plot lines.

Conspiracy Thrillers:
Conspiracy Thrillers usually centre around an inquisitive protagonist, they become emmersed in a world of lies and fraudulence. The main character then tires to expose or escape the fabhricated world and it's secrets. Conspiracy Thrillers usually revolve around large wealthy companies or governments. Examples of a Conspiracy Thriller are: Unknown (dir. Jasume Collet-Serra 2011), Changeling (dir. Clint Eastwood 2008) and Shutter Island (dir. Martin Scorsese 2010).


Crime Thrillers:
Crime Thrillers usually revolve around the criminals rather than the police force, the audience is led to feel attatched to the main character despite their criminal activities. The pace can change dramatically as in films such as Ocean's Eleven (Remake: dir. Steven Soderbergh 2001), when planning to infiltrate the casino the pace is slow whereas when it is acutally happening it is much quicker. Examples of Crime Thriller are: Pulp Fiction (dir. Quentin Tarantino 1994), Lawless (dir. John Hillcoat 2012) and Jack Reacher (dir. Christopher McQuarrie 2012)


Erotic Thrillers:
Erotic Thrillers are usually based on a relationship and contains some form of conflict, such as adultry, divorce or sometimes murder. There problems in Erotic Thrillers may be relatable for audiences and this helps add a sense of realism and attatchement to the characters. Examples of Erotic Thrillers are: Eyes Wide Shut (dir. Stanely Kubrick 1999), Basic Instinct (dir. Paul Verhoeven 1992) and Body Double (dir. Brian De Palma 1984

                                 
 
Horror Thrillers:
Horror Thrillers tend to be more gory than other subgenres of Thriller, they excite and scare the audience by toying with their emotions. Horror Thrillers tend to contain some form of hidden identity such as in Sorority Row (remake dir. Stewart Hendler 2009) you only learn the identity of the killer later on in the film and only see low angle shots or the killer has a hood covering his face. Other examples of Horror Thriller are: Scream (dir. Wes Craven 1996), The Ward (dir. John Carpenter 2010) and House of Wax (dir. Jaume Collett-Serra)

 

Mystery Thrillers:
Mystery Thrillers mainly follow crime from the perspective of detectives and police, the audience knows the same amount as the main protagonist and so they feel more immersed in the plot, the audience will often try and figure out who the culprit is throughout the film. Hidden identity is popular with this subgenre as well, such as in the film Se7en (dir. David Fincher 1995) you only see the culperit's face towards the end of the film. Other examples of Mystery Thriller are: Blue Velvet (dir. David Fincher 1986) and Eastern Promises (dir. David Cronenberg 2007)
 

Psychological Thrillers:
Psychological Thrillers give the audience an insight to the mind of the main protagonist, so the plots can be rather complex compared with other sub-genres of Thriller. Psychological Thrillers tend to contain more dialouge than other sub-genres of Thriller too, although there are exceptions to the rule for example in the film Sucker Punch (dir. Zack Snyder 2011) there is no dialouge apart from voiceover in the first 6 minutes of the film. Other examples of Psychological Thriller are: Inception (dir. Christopher Nolan 2010) and Shutter Island (dir. Martin Scoresese 2010)


 















 
 
Supernatural Thriller:
 Supernatural Thrillers tend to have an unkown or not clearly understood aspect of the narrative, they can sometimes edge slightly into the Horror Thriller sub-genre. Added to the supernatural element is a blend of suspense and the emotional roller-coaster, this is due to us watching the main protagonist struggle against the other-worldly element. Sometimes, the main character has some psychic or supernatural ability, such as in The Eye (remake dir. David Moreau and Xavier Palud 2008) the protagonist recieves an eye transplant that enables her to see the supernatural world. Other examples of Supernatural Thrillers are: Dark Water (dir. Walter Salles 2005) and The Others (dir. Alejandro Amenabar 2001)